REINCARNATION OF FASCISM: “MADE IN AMERICA” VERSION

  • John Pilger is an Australian, Sydney-born, award-winning journalist and filmmaker (click here for his bio).  Two days ago, he published at his website an editorial on the current state of global affairs under the headline “Why the rise of fascism is again the issue.” This time, we are witnessing the “made in America” version of fascism. Pilger’s comparisons of it to that Nazi Germany rendition of it are compelling.

    Here’s the link to John Pilger website and his original post: 

    john_pilger_responsibility_460

  • Bob Altzar Djurdjevic: There are some parts of this John Pilger piece that are worth highlighting. For example, this is what he said about…

    NATO’S ATTACK ON SERBIA:

    “The “humanitarian war” against Libya drew on a model close to western liberal hearts, especially in the media. In 1999, Bill Clinton and Tony Blair sent Nato to bomb Serbia, because, they lied, the Serbs were committing “genocide” against ethnic Albanians in the secessionist province of Kosovo. David Scheffer, US ambassador-at-large for war crimes [sic], claimed that as many as “225,000 ethnic Albanian men aged between 14 and 59” might have been murdered. Both Clinton and Blair evoked the Holocaust and “the spirit of the Second World War”. The West’s heroic allies were the Kosovo Liberation Army (KLA), whose criminal record was set aside. The British Foreign Secretary, Robin Cook, told them to call him any time on his mobile phone.

    With the Nato bombing over, and much of Serbia’s infrastructure in ruins, along with schools, hospitals, monasteries and the national TV station, international forensic teams descended upon Kosovo to exhume evidence of the “holocaust”. The FBI failed to find a single mass grave and went home. The Spanish forensic team did the same, its leader angrily denouncing “a semantic pirouette by the war propaganda machines”. A year later, a United Nations tribunal on Yugoslavia announced the final count of the dead in Kosovo: 2,788. This included combatants on both sides and Serbs and Roma murdered by the KLA. There was no genocide. The “holocaust” was a lie. The Nato attack had been fraudulent.

    Behind the lie, there was serious purpose. Yugoslavia was a uniquely independent, multi-ethnic federation that had stood as a political and economic bridge in the Cold War. Most of its utilities and major manufacturing was publicly owned. This was not acceptable to the expanding European Community, especially newly united Germany, which had begun a drive east to capture its “natural market” in the Yugoslav provinces of Croatia and Slovenia. By the time the Europeans met at Maastricht in 1991 to lay their plans for the disastrous eurozone, a secret deal had been struck; Germany would recognise Croatia. Yugoslavia was doomed.

    In Washington, the US saw that the struggling Yugoslav economy was denied World Bank loans. Nato, then an almost defunct Cold War relic, was reinvented as imperial enforcer. At a 1999 Kosovo “peace” conference in Rambouillet, in France, the Serbs were subjected to the enforcer’s duplicitous tactics. The Rambouillet accord included a secret Annex B, which the US delegation inserted on the last day. This demanded the military occupation of the whole of Yugoslavia – a country with bitter memories of the Nazi occupation – and the implementation of a “free-market economy” and the privatisation of all government assets. No sovereign state could sign this. Punishment followed swiftly; Nato bombs fell on a defenceless country. It was the precursor to the catastrophes in Afghanistan and Iraq, Syria and Libya, and Ukraine.”
  •  Bob Altzar Djurdjevic: Also, this on…

    ALLEGED AMERICAN SUPERIORITY AND “AMERICAN SNIPER,” THE MOVIE:

    “Uniting fascism old and new is the cult of superiority. “I believe in American exceptionalism with every fibre of my being,” said Obama, evoking declarations of national fetishism from the 1930s.
    As the historian Alfred W. McCoy has pointed out, it was the Hitler devotee, Carl Schmitt, who said, “The sovereign is he who decides the exception.” This sums up Americanism, the world’s dominant ideology. That it remains unrecognised as a predatory ideology is the achievement of an equally unrecognised brainwashing. Insidious, undeclared, presented wittily as enlightenment on the march, its conceit insinuates western culture. I grew up on a cinematic diet of American glory, almost all of it a distortion. I had no idea that it was the Red Army that had destroyed most of the Nazi war machine, at a cost of as many as 13 million soldiers. By contrast, US losses, including in the Pacific, were 400,000. Hollywood reversed this.
    The difference now is that cinema audiences are invited to wring their hands at the “tragedy” of American psychopaths having to kill people in distant places – just as the President himself kills them. The embodiment of Hollywood’s violence, the actor and director Clint Eastwood, was nominated for an Oscar this year for his movie, ‘American Sniper’, which is about a licensed murderer and nutcase. The New York Times described it as a “patriotic, pro-family picture which broke all attendance records in its opening days”.”
    John Pilger FB page

    An Excerpt from John Pilger’s Bio

    Career Summary
    1958-62: Reporter, freelance writer, sports writer and sub-editor, Daily & Sunday Telegraph, Sydney
    1962: Freelance correspondent, Italy
    1962-63: Middle East desk, Reuter, London
    1963-86: Reporter, sub-editor, feature writer and Chief Foreign Correspondent, Daily Mirror
    1986-88: Editor-in-Chief and a founder, News on Sunday, London
    1969-71: Reporter, World in Action, Granada Television
    1974-present: Documentary film-maker, producer, director, reporter, Independent Television Network (ITV), London

    Accredited war correspondent in Vietnam, Cambodia, Egypt, India, Bangladesh, Biafra and the Middle East

    Contributor
    BBC Television Australia, BBC Radio, BBC World Service, London Broadcasting, ABC Television, ABC Radio Australia, Al Jazeera, Russia Today.

    Website contributor
    Information Clearing House, TruthOut, ZNet, Common Cause, TruthDig, Online Opinion Australia, Global Research, Antiwar.com.

    Publications
    The Guardian, The Independent, New Statesman, The New York Times, The Los Angeles Times, The Nation: New York, The Age: Melbourne, The Sydney Morning Herald, plus French, Italian, Scandinavian, Canadian, Japanese and other newspapers and periodicals.

    Books
    See Books

    Films
    See Filmography

    Plays
    The Last Day (1983)

    Honours
    D. Arts, Lincoln University
    D. Litt, Staffordshire University
    D. Litt Rhodes University, South Africa
    D. Phil, Dublin City University
    D. Arts, Oxford Brookes University
    D. Laws, St.Andrew’s University
    D. Phil, Kingston University
    D. Univ, The Open University
    1995 Edward Wilson Fellow, Deakin University, Melbourne
    Frank H.T. Rhodes Professor, Cornell University, USA

    Selected Awards
    1966: Descriptive Writer of the Year
    1967: Reporter of the Year
    1967: Journalist of the Year
    1970: International Reporter of the Year
    1974: News Reporter of the Year
    1977: Campaigning Journalist of the Year
    1979: Journalist of the Year
    1979-80: UN Media Peace Prize, Australia
    1980-81: UN Media Peace Prize, Gold Medal, Australia
    1979: TV Times Readers’ Award
    1990: The George Foster Peabody Award, USA
    1991: American Television Academy Award (‘Emmy’)
    1991: British Academy of Film and Television Arts – The Richard Dimbleby Award
    1990: Reporters San Frontiers Award, France
    1995: International de Television Geneve Award
    2001: The Monismanien Prize (Sweden)
    2003: The Sophie Prize for Human Rights (Norway)
    2003: EMMA Media Personality of the Year
    2004: Royal Television Society Best Documentary, ‘Stealing a Nation’
    2008: Best Documentary, One World Awards, ‘The War On Democracy’
    2009: Sydney Peace Prize
    2011: Grierson Trustees’ Award

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